Everyday Is Like Sunday: A Memoir
After graduating high school in the early 1990s, Lonna finds herself trapped at her parents’ home in a tiny, muskrat-ridden, New Jersey town, enduring community college, cutting her split ends, and hoping for near death. All the while, an ominous black cloud and an obsessive best friend stalk her. Unlike her ex-boyfriend, she opts against a restraining order (although every second, she questions this decision).
Having recently sworn off all men, Andy enters Lonna’s chemistry class and lures her in with rubber gloves, lyrics from The Smiths, and the particles of life that radiate from his being. What happens next makes it hard for her to believe that her existence is not cursed. Destiny, coincidence, or a lesson in statistics—life has a sick sense of humor.
Sevda Khatamian, nineteen eighty-nine, her family was already living in Tehran when she was born in the month of July. Although her parents were in touch with friends and other members of the family, it was mostly the four of them hanging out together. Her father used to run his own business and her mother worked in a hospital. Later she became a lawyer. Soheil, her older brother, moved abroad right after he graduated from high school. Sevda took the same path and moved out of the country by the time she was eighteen. After six years of living in Ankara, studying, working, and eventually living an unemployed life concentrated on personal creative projects, she decided to move to Istanbul, and discover life on another level, and back up new experiences for the future. She now travels as an artist in residence, and lives in different countries for short periods of time. She believes creativity dawns as she moves along with the road.
Morning People is a memoir, selective series of moments of an everyday life in an endless city, with friends living along the same path, and unexpected incidents along the way.
Hi, I’m Tim Rees. My background is BBC drama and before that the military. You can read about my life in the army in my memoir, In Sights: The Story Of A Welsh Guardsman, published by The History Press in 2013.
I left the BBC to focus on writing my own scripts and ended up writing the novel first so my story is set firmly on the page – my experience with the BBC taught me scripts are rewritten and change from the original script due to budgets, director’s idea’s and perspectives and then the actors come in with their own ideas on the character they’re playing. Making a film is an intensely creative process and it is a process I love, but after finishing my first novel, which is Raw Nerve, I knew I’d been born to be a novelist first and foremost, mainly because the creative intensity is doubled and my relationship with the characters is so much more real than working on a script where it’s necessary to leave it to the director and actors to flesh-out character.
I realised indie publishing is now at a professional standard and want to be a part of this new revolution. So now I’ve recently republished Raw Nerve to add to Delphian and WTF.